Ya-Nung Huang: Suona, double reed and wind instruments
Tsung-Yun Lai: Modular Synthesizer

Aluan Wang: Audiovisual Performance

Audrey Chen: Voice, electronics
Henrik Munkeby Nørstebø: Trombone, electronics
Raed Yassin: Synthesizers, electronics

Cross-Temporal Dialogue is a collaborative project by Taiwanese artists Tsung-Yun Lai (modular synthesizer) and Ya-Nung Huang (suona, double reed, and wind instruments). Together, they explore the intersection of traditional acoustic instruments and contemporary electronic sound. Blending the raw, expressive voice of the suona with layered synthesizer textures, their performances unfold as immersive soundscapes that traverse time, ritual, and memory. Through improvisation and deep cultural resonance, they create a unique sonic language — an evolving, cross-cultural dialogue that bridges the acoustic past and the electronic future.

Sound becomes image; signal becomes rhythm — Aluan Wang’s work explores the tension between chaos, systems, and perception through real-time audiovisual performance.
Born in Taichung and holding an MFA in New Media Art from the Taipei National University of the Arts, Wang specializes in algorithmic creation using open-source tools such as Pure Data and Processing.
His works — including Resonance in Motion and Dynamic Center 2.0 — have been recognized at the Taipei Digital Art Festival and other platforms. He continues to explore AI-driven sound-image synthesis and the poetics of code.

In an electrifying collaboration, musician Raed Yassin joins forces with Beam Splitter, the critically acclaimed duo of Audrey Chen (voice, electronics) and Henrik Munkeby Nørstebø (trombone, electronics). Known for their raw, intimate sonic dialogues and fearless improvisation, Beam Splitter meets Yassin’s densely layered electronic landscapes in a bold and exploratory union. Together, they create a striking synthesis of extended vocal techniques, resonant brass textures, and immersive electronic atmospheres.