HYPERKLASSIꓘ V.1 is the distillation of five years of work in dismembering and deconstructing the rotting remains of an hegemonic culture: the Western musical tradition. The shreds reassembled into fluorescent orchids, rain-flooded forests, dreamed cities, and deep waters where humans swim who understand the language of fish, corals, and constellations in the sky above. But it is also a very personal sound diary, the manifesto of a liberating, playful and quite ignorant electronic music practice, and a chaotic declaration of love.

Edoardo Micheli is a composer, producer and music teacher. After an academic study in composition he is now more engaged in questioning, deconstructing and remixing the legacy of the dominant culture in which he grew up and collaborating with other artists. In parallel, he is pursuing a project on ecoacoustics, listening communities and nonhuman music.

Producer and interdisciplinary artist based in Berlin, AIEL has been expanding the borders of experimental electronic music by defying genres and conventional music canons. Her work is a bricolage of creative thoughts that is primarily expressed through sound, focusing on polyrhythmic contemporary music and esoteric, imaginative narratives. Working with sampling, voice processing and FM synthesis her live performances are consisted by an anachronism between ancient rituals and futuristic pop songs.

KC, an Indian dj, performer, guitarist, and composer based in Berlin, explores ambient-focused music with a particular emphasis on generative soundscapes. Her mixes navigate through the realms of glitch, doom metal, space rock, indie, dreampop, new wave, downtempo, slowcore, alternative, and shoegaze, creating immersive sonic experiences.

Cẩm-Anh Lương is a new media artist and designer from Vietnam based in Berlin. Their work focuses on personal narratives, migration, and the politics of memory, using mixed media or virtual reality to create immersive, interactive experiences. These virtual worlds serve then as platforms for exploring forgotten histories shaped by the legacies of colonization, state propaganda, and stereotypes imposed on postcolonial migrant female* bodies.