Eora-based Megan Alice Clune will perform a set of ‘conceptual cover versions’ featuring stretched out vocals, hypnotic piano and blurry clarinet for the final show of her 2024 European tour. These covers start from the memory of an old yet pivotal song that is then reconstituted or dredged from the psyche before being stretched into a new, hazy form.
Support act by composer, sound artist and musician Marta Forsberg.

Megan Alice Clune is a musician, artist and composer based on Gadigal and Wangal lands (Sydney, Australia). Her work explores the dynamic relationships between music, technology, the body and temporality through composition, performance and installation. Described as ‘visionary ambient’ (Rockerilla), ‘breathtakingly intimate’ (Bandcamp Daily) and ‘a pristine exercise in precise simplicity’ (boomkat.com), Megan’s music portrays an emotional depth through a minimal sonic palette, delicately balancing textures that are at once rich and sparse.

Marta Forsberg is a Swedish-Polish sound artist and musician currently based in Berlin. In recent years, she has released music through labels such as Warm Winters Ltd., XKatedral, and Superpang. Her work delves into themes of language and human memory, with a strong focus on archival research. Lately, she has been experimenting with the interplay between human and synthetic voices, creating soundscapes that are both intimate and ethereal. Marta frequently collaborates with performers and choreographers like Sindri Runudde and Sheena McGrandles, while also engaging in pedagogical work, teaching music composition. Alongside Lo Kristenson, she co-founded Konstmusiksystrar, an organization dedicated to promoting gender equality in the Swedish music scene. Marta studied electroacoustic composition at the Royal College of Music in Stockholm and the Fryderyk Chopin University of Music in Warsaw.